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A.J. CASSON
1898 - 1992
A.J.
Casson is known for his depiction of the gentler, more civilized areas
of southern Ontario, areas of small villages and farms, the forests
and rolling hills of "cottage country" (ie. Lake Kashagawigamog).
He deliberately sought subjects in contrast to the preferred material
of other Group members; his interpretation of the subtle variations
of summertime green (ie. Blue Heron) has become a trademark of his
work.
Casson was born in Toronto, Ontario but grew up in Guelph and went
to school in Hamilton before moving back to Toronto at the age of
seventeen. In 1919 Casson was taken on by the commercial art firm
of Rous and Mann in Toronto, a move that was of great significance
for him. Apprenticed to Franklin Carmichael, he was encouraged by
the older man to continue sketching and painting on his own. Casson
openly admits his immense debt to Carmichael as a designer and painter.
Carmichael also introduced his new employee to the Arts and Letters
Club, where he met many of the era's most prominent artists, including
members of The Group of Seven. Encouraged by Carmichael and others,
Casson continued to paint seriously in his spare time throughout the
1920's, and his subject matter reflects the interests of The Group
of Seven.
The watercolour medium fascinated Casson throughout his career, and
in 1925 he, Carmichael and F.H. Brigden founded the Canadian Society
of Painters in Watercolour, an association that continues actively
to this day. The following year (1926) Casson was invited to join
The Group of Seven. The Group's numbers had been depleted with the
departure of Frank Johnston, and Casson, as an invited contributor
to Group shows, seemed the appropriate replacement.
Casson continued at Rous and Mann until 1927, when he joined Sampson-Matthews,
eventually becoming their art director and vice-president until his
retirement in 1957. In his spare time he continued his paintings,
as well as his involvement with various art societies and associations.
Upon the dissolution of The Group of Seven, he became a founding member
of the Canadian Group of Painters in 1933.
Casson
developed a painting style distinctly his own. His design background
is evident in the clear lines and well-thought-out compositions of
his mature work, such as The White Pine of 1957. He depicted the pastoral
pioneering Ontario that has now vanished in the face of a noisier
urban world. His work has become much loved by the Canadian public,
and his accomplishments have been recognized with honours from many
organizations. His work reflects the ideals of The Group of Seven,
yet it has provided insight into a part of Canada he knew and loved
well.
Casson belonged to the second generation of painters working in The
Group style. He was able to slip into their ranks without going through
the same struggle and experimentation that the older painters did
in their formative years. It is often thought that the major contribution
of Casson and Carmichael to The Group was in reviving the neglected
art of watercolour painting. Both of them enjoyed working in this
medium, which was perfectly suited to their approach and to their
work in the commercial field.
Sources:
The National Gallery and 'The McMichael Collection' |
